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An interview with Alex Da Corte | Apollo Magazine   [Review] [Poll]  - The American artist explains he looks to his own past to create his devilishly inventive films, paintings and installations
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Kate de Rothschild’s approach to quality control |   [Review] [Poll]  - The Old Master drawings collector has described herself as ‘an undisciplined cockapoo’ when it comes to buying – but each piece must be of the highest calibre
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Author: Susan Moore | Apollo Magazine   [Review] [Poll]  - Susan Moore is associate editor of Apollo.
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In the studio with… Catherine Wagner | Apollo Maga   [Review] [Poll]  - The San Francisco-based photographer has moved into a new space, and she’s getting used to a more communal environment – but order is still all-important
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An interview with Krishna Choudhary | Apollo Magaz   [Review] [Poll]  - The jeweller’s array of Mughal-era artefacts is intertwined with the history of Jaipur – and helps inspire his own contemporary designs, writes Debika Ray
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The meetings of American artists | Apollo Magazine   [Review] [Poll]  - Rachel Cohen talks to Fatema Ahmed about the reissue of ‘A Chance Meeting’, a dazzlingly inventive account of more than a century of artistic endeavour in the United States
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In the studio with… Jakkai Siributr | Apollo Magaz   [Review] [Poll]  - The Thai textile artist prefers silence in his studio so he can listen to his thoughts – which proves tricky when his dogs are hanging around
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In the studio with… Chrissie Hynde | Apollo Magazi   [Review] [Poll]  - The rockstar-turned-artist revels in her solitude and shuts the door to everyone except her dog when she’s in the studio – which is also her flat
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In the studio with… Stanley Donwood | Apollo Magaz   [Review] [Poll]  - Best known for his designs for Radiohead’s album covers, the artist enjoys the sea air but laments the fug of wood varnish in his Brighton studio
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View finder – an interview with Jeff Wall | Apollo   [Review] [Poll]  - The Canadian artist is best known for his large, tableau-like photographs. In a year of several international exhibitions, he talks Craig Burnett through the complex process of making them
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