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Chinese bronzes show their metal on the market | A
[Review]
[Poll] - Ancient vessels are still highly prized around the world, but Chinese buyers are the most committed collectors today, writes Emma Crichton-Miller
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Tariffs and art trade | Apollo Magazine
[Review]
[Poll] - As Trump 2.0 makes its presence felt, the art market is feeling nervous about new trade barriers – and reluctant to talk about the subject in public, writes Georgina Adam
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Author: Georgina Adam | Apollo Magazine
[Review]
[Poll] - Georgina Adam is a journalist and author. Her latest book is The Rise and Rise of the Private Museum (Lund Humphries)…
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Surprise encounters at BRAFA | Apollo Magazine
[Review]
[Poll] - Works from diverse periods, schools and places rub shoulders at the long-running Brussels event and help keep things fresh, writes Samuel Reilly
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Where is the art market headed in 2025? | Apollo M
[Review]
[Poll] - While many in the trade will be glad to see the back of 2024, whether the new year will be an improvement is completely up in the air, writes Jane Morris
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Is art sitting in the lap of luxury? | Apollo Maga
[Review]
[Poll] - Fashion houses and other high-end brands are keener on art than ever before, writes Jane Morris. But who really benefits from the relationship?
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The soaring market for pre-Ming ceramics | Apollo
[Review]
[Poll] - Chinese art from the 14th century onwards has long ruled the art market, but prices for work from earlier periods are catching up fast, writes Emma Crichton-Miller
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British abstract painting remains in demand at hom
[Review]
[Poll] - Though its popularity abroad has waned, British art of the 1940s and ’50s is still highly sought after at home, writes Emma Crichton-Miller
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The artists who have cracked the market for prints
[Review]
[Poll] - More and more artists are partnering with online platforms to sell limited editions of their work – and it’s paying off handsomely, for now, writes Jane Morris
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A new chapter for Asian Art in London | Apollo Mag
[Review]
[Poll] - For its 27th edition, the fair is setting up shop in the galleries of London’s auction houses and welcoming a number of new exhibitors, writes Sam Reilly
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