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Indigenous artists and the art market | Apollo Mag
[Review]
[Poll] - This year’s edition of the Venice Biennale points to and even reinforces the growing interest of collectors, writes Jane Morris
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The joys of the spring auctions | Apollo Magazine
[Review]
[Poll] - If sales so far this year are anything to go by, the high-profile auctions taking place this month may not bring much excitement, writes Jane Morris
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Who really pays for public exhibitions? | Apollo M
[Review]
[Poll] - The Venice Biennale is a good time to pull back the curtain on the funding of major arts events, which can often be shrouded in mystery.
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Adriano Pedrosa opens Venice up | Apollo Magazine
[Review]
[Poll] - The director of the 2024 Biennale talks to Jane Morris about the challenges the event faces and why he is sanguine about the changing political tides
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What’s in store for the art market in 2024? | Apol
[Review]
[Poll] - After a period of mediocre post-pandemic growth, what will the next year bring? Jane Morris peers through the mists to make some predictions
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Why won’t the UK stand up for the arts? | Apollo M
[Review]
[Poll] - The art market is one of Britain’s economic successes, writes Jane Morris, so why are politicians so unsupportive of the sector?
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The legacy of Frieze Art Fair | Apollo Magazine
[Review]
[Poll] - The first Frieze Art Fair in 2003 made the capital cool again – but how much does it matter now, 20 years on?
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Does Frieze Art Fair still matter 20 years on? | A
[Review]
[Poll] - Eight leading curators, art advisors and gallerists look back on the launch of the London event and consider how relevant it is today
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Can selling artworks in small pieces yield big div
[Review]
[Poll] - A new breed of business is offering investors shares in blue-chip artworks – and making big claims about their profitability
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Meet London’s newest gallerists | Apollo Magazine
[Review]
[Poll] - A wave of emerging galleries is breaking across the capital despite difficult economic conditions, writes Jane Morris
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