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Do any political parties have a vision for the art
[Review]
[Poll] - Power is set to change hands next month in Downing Street, but whether that will be enough to fix Britain’s art ache is another matter, writes Michael Delgado
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The Kunstsilo’s bumper crop of Nordic art | Apollo
[Review]
[Poll] - Michael Delgado visits a 1930s grain silo that has been repurposed to house the world’s largest collection of Nordic art
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When Robert Rauschenberg went on tour | Apollo Mag
[Review]
[Poll] - The artist spent much of the 1980s making works inspired by his international trips – and showing off the results in the countries themselves
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An interview with Alvaro Barrington | Apollo Magaz
[Review]
[Poll] - Ahead of his Tate Britain commission, the artist talks to Michael Delgado about being inspired by Tupac and Cy Twombly and wanting to involve communities in everything he makes
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How Compton Verney stays ahead of the flock | Apol
[Review]
[Poll] - Now 20 years old, the Warwickshire museum has developed a distinctive approach to collecting – and it’s paying off handsomely, writes Michael Delgado
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Joshua Leon and the sound of silence | Apollo Maga
[Review]
[Poll] - The artist’s harmonious installation at Chisenhale Gallery memorialises his musician grandfather, writes Michael Delgado
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Virginia Woolf’s room of her own | Apollo Magazine
[Review]
[Poll] - At Monk’s House, a 17th-century weatherboard house that the Woolfs bought in 1919, the author found the freedom to write some of her greatest works
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Author: Claudia Tobin | Apollo Magazine
[Review]
[Poll] - Claudia Tobin teaches English literature and visual culture at the University of Cambridge. She is the author of ‘Modernism and Still Life: Artists, Writers…
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Salzburg, a city alive with the Sound of Music | A
[Review]
[Poll] - Sixty years after the film’s release, locals are still surprised by visitors re-enacting a few of their favourite things, writes Sophie Barling
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A Renaissance guide to surviving the conclave | Ap
[Review]
[Poll] - In past centuries, cloistered cardinals would camp in the Sistine chapel itself – the wealthiest decking out their cubicles with silver and silks, writes Mary Hollingsworth
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