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How Mantegna and Bellini reshaped the Renaissance
[Review]
[Poll] - A thrilling survey of the two quattrocento masters highlights their many differences
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Hilary Mantel and Tudor art | Apollo Magazine
[Review]
[Poll] - The novelist’s Thomas Cromwell trilogy suggestively fills in what art historians can only guess at, writes Christina J. Faraday
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How to express yourself in Tudor England | Apollo
[Review]
[Poll] - The identity of two terracotta busts attributed to Guido Mazzoni may be up for debate, but there’s no denying the emotional possibilities of the material in which they’re made, writes Christina J. Faraday
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Manny Vega makes a noise in New York | Apollo Maga
[Review]
[Poll] - The mosaic artist’s celebration of El Barrio combines influences including African clothing to Latin jazz to create something wonderfully new, writes Christina J. Faraday
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Art casts a spell in a London chapel | Apollo Maga
[Review]
[Poll] - The Fitzrovia Chapel is an atmospheric venue for an exhibition with an occult edge, writes Christina J. Faraday
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The afterlives of the wives of Henry VIII | Apollo
[Review]
[Poll] - Being married to the monarch was a hazardous business, but all six queens have lived on in popular memory and the artistic imagination, writes Christina J. Faraday
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The rise of the Renaissance woman | Apollo Magazin
[Review]
[Poll] - The flurry of exhibitions focusing on women artists is very welcome – as long as they avoid reinforcing tired old narratives, writes Christina J. Faraday
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A massive success at Hardwick Hall | Apollo Magazi
[Review]
[Poll] - It has taken the National Trust 24 years to restore the set of the largest set of tapestries in England to their former glory, writes Christina J. Faraday
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Raphael’s versions of the Virgin Mary | Apollo Mag
[Review]
[Poll] - In the works of Raphael Mary often plays a more active and more joyful role than she is allowed by other artists, writes Christina J. Faraday
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The Tudors and interior decoration | Apollo Magazi
[Review]
[Poll] - A carved-wood falcon linked to Anne Boleyn and wall paintings in Hertfordshire and Yorkshire are exciting discoveries for our understanding of Tudor England
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