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In the studio with… Catherine Wagner | Apollo Maga   [Review] [Poll]  - The San Francisco-based photographer has moved into a new space, and she’s getting used to a more communal environment – but order is still all-important
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The meetings of American artists | Apollo Magazine   [Review] [Poll]  - Rachel Cohen talks to Fatema Ahmed about the reissue of ‘A Chance Meeting’, a dazzlingly inventive account of more than a century of artistic endeavour in the United States
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Francesca Galloway’s couture collection | Apollo M   [Review] [Poll]  - Francesca Galloway is one of the world’s leading dealers in Indian paintings and textiles, but she also has an extensive collection of 20th-century haute couture
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In the studio with… Ai-Da | Apollo Magazine   [Review] [Poll]  - The AI-powered humanoid robot talks Apollo through her studio routine, which involves listening to Chopin and pondering the strangeness of her own existence
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What makes Christian Marclay tick? | Apollo Magazi   [Review] [Poll]  - As his 24-hour film The Clock returns to MoMA, Christian Marclay talks to Robert Barry about working with sound and images – and bridging the divide between two artistic worlds
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The young collectors on the hunt for Old Masters |   [Review] [Poll]  - New York-based Domenico Lanzara and Sean Imfeld speak to Eve M. Kahn about their obsession with Old Master drawings
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Author: Eve M. Kahn | Apollo Magazine   [Review] [Poll]  - Eve M. Kahn wrote the weekly antiques column for the New York Times from 2008 to 2016. She is the author of ‘Forever Seeing New Beauties: The Forgotten…
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The cosmic art of Liliane Lijn | Apollo Magazine   [Review] [Poll]  - The artist has pursued her interest in light, motion and myth across drawing, sculpture and performance for decades, but it’s her openness to new ideas that really defines her work, writes Fatema Ahmed
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Category: Interviews | Page 5 | Apollo Magazine   [Review] [Poll]  - No Description
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The painted confections of Wayne Thiebaud | Apollo   [Review] [Poll]  - In his voluptuous paintings of cakes and other foodstuffs, the American artist captured both pleasure and a sense of surfeit, writes Keith Miller
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