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The Embedded Portrait, reviewed | Apollo Magazine   [Review] [Poll]  - Donal Cooper gets to grips with Christopher Wood’s stimulating account of a turning point in early Renaissance painting
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An interview with Andrew Craston | Apollo Magazine   [Review] [Poll]  - The artist’s playful and delicate works, often painted on book jackets, conceal a serious interest in animals, absurdity and art history, writes Edward Behrens
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How to read books without words | Apollo Magazine   [Review] [Poll]  - Modern artists have managed to make surprisingly strong statements on blank or partially erased pages, writes Gill Partington
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Review: Lost Kingdoms: Hindu-Buddhist Sculpture at   [Review] [Poll]  - ‘Lost Kingdoms: Hindu-Buddhist Sculpture’ at the Metropolitan Museum of Art, New York, will be difficult to top, says Louise Nicholson
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Close encounters with the gods in north Indian pai   [Review] [Poll]  - In 17th and 18th centuries artists at the Pahari courts found new ways to represent the gods, writes Louise Nicholson
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Exhibitions, The Solomon Collection: Dürer to Dega   [Review] [Poll]  - Explore a remarkable collection of artworks that span the centuries and discover how it was assembled over seven decades. The Solomon Collection: Dürer to Degas and Beyond celebrates a significant recent bequest to the Harvard Art Museums from passionate
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The landscapes of Edward Hopper | Apollo Magazine   [Review] [Poll]  - The great painter of urban solitude was also a dab hand at empty expanses, writes Nicholas Hatfull – from dunes and forests to the open road
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Lygia Clark: Retrospective   [Review] [Poll]  - Beginning in May 2025, the Neue Nationalgalerie will show Brazilian artist Lygia Clark’s first retrospective in Germany.
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‘It’s you who now give expression to my thoughts’:   [Review] [Poll]  - The Brazilian artist was relentlessly inventive, moving from abstract drawing to ‘critter’-like sculptures and, ultimately, participatory works
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Review: ‘The Abandonment of Art’, Lygia Clark at M   [Review] [Poll]  - Lygia Clark’s (1920–1988) retrospective at the Museum of Modern Art, New York, offers a welcome overview of the Brazilian artist’s work
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