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Lynn Chadwick’s warped aesthetics | Apollo Magazin
[Review]
[Poll] - The sculptor’s eccentric animal-like sculptures are dotted around the grounds of his house in the Cotswolds, writes Arjun Sajip – and they feel right at home
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Cromwell Place – a treat for London’s art lovers |
[Review]
[Poll] - The major new arts hub in South Kensington is now open – and making good on its promise of bringing artistic innovation to London
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Culture is in quarantine – and proving its worth a
[Review]
[Poll] - In this time of crisis, the arts and innovative cultural platforms can bring us together and enrich our lives, says Nicole Brachetti Peretti
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Letter from Jeju Island | Apollo Magazine
[Review]
[Poll] - Andrew Russeth finds that ‘the Hawaii of South Korea’ has something for everyone, from a teddy bear museum to masterpieces of modern Korean art
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The unnerving appeal of wax figures | Apollo Magaz
[Review]
[Poll] - From votive offerings to anatomical models, wax is the perfect material for blurring the boundaries between art and life, writes Louisa McKenzie
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Neue Sachlichkeit / New Objectivity
[Review]
[Poll]  - A movement divided by two philosophies—the unflinching and socially critical Verists, and the Classicists, who focused on harmony and beauty.
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Michael Armitage: Paradise Edict | Apollo Magazine
[Review]
[Poll] - The painter’s complex depictions of Kenya present scenes of violence alongside moments of beauty, writes Samuel Reilly
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Antwerp’s greatest museum finally reopens | Apollo
[Review]
[Poll] - After 11 years of being closed, the Royal Museum of Fine Arts in Antwerp has unveiled an ingenious extension that means Old Masters and modern art now share the limelight
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Pierre Bonnard’s world of interiors | Apollo Magaz
[Review]
[Poll] - The painter’s vibrant domestic scenes are full of revealing details – and so is Isabelle Cahn’s weighty new biography of the painter, writes Michael Prodger
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Art’s top drawers | Apollo Magazine
[Review]
[Poll] - Spanning several continents and 13,000 years, a new book by Susan Owens outlines the many reasons why artists have always been drawn to drawing, writes Michael Prodger
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